I’m cycling through Amsterdam’s historic centre, a UNESCO world heritage site and an enduring testimony to the city’s rich history. During the Golden Age in the 17th century, Amsterdam’s port was at the centre of a global trade network, with ships sailing to Asia, Africa, Brazil and the Americas, and merchants trading goods across Europe. Continue reading
It is early afternoon when I touch down at the Murtala Mohammed International Airport Lagos. As I walk out of the arrivals hall I am immediately engulfed in a wave of hot, humid air. I take off my jacket and before I even start looking where to go, a smartly dressed man walks up to me.
“Welcome to Nigeria!” he says with a smile. “My name is Fauzi, I’m the fellow you’ve been chatting with via email. This way… the car is waiting.”
Our chauffeur-driven car heads towards the city and we soon hit dense traffic. As we inch forward in the Lagos rush hour, Fauzi briefs me in preparation for our meeting with Nigerian fashion designer Deola Sagoe.
“Deola started working in fashion over 20 years ago when she joined her mother’s label as a junior designer,” he says. “Her style really comes from her culturally diverse education.
“She picked up different ideas and cultural trends from around the world, but Nigeria remains her greatest inspiration – different textures, colours, cultures, people, the whole vibe!”
Meanwhile our driver has managed to extricate us from the traffic jam and turned onto the 12-kilometre Third Mainland Bridge. “We’re going straight to Deola’s atelier on Victoria Island,”Fauzi says as we speed across Lagos Lagoon. “She’ll meet us there.”
Twenty minutes later our car stops in front of a sleek two-storey building with white pillars tapering off to pointed ends at their tops, evoking the idea of giant, upright, elephant tusks – an unmistakable African look and feel.
“This is it!” Fauzi says as we get out of the car. “Get ready to meet the princess of African fashion.”
As I weave my way between the mannequins, admiring each design and touching the delicate fabrics, Deola enters the atelier. “Welcome!” she says with a warm smile.
She is wearing a simple but stylish dress and exudes a sense of understated sophistication. As she talks, I sense that beneath her confident and outspoken personality, there is also great warmth and openness – a desire to listen and learn from others which, I suspect, forms one of the core strengths of her design work.
Deola shows me some pieces from the new collection and explains the creative process – how she chooses, or creates, the various fabrics, what determines the cut and what inspires the careful detailing on all her designs.
“I’m intrigued by the mix of cultural references in your work,” I say. “Where do you pick them up and how do you blend them together?”
“I think it has to do with how I was educated. I was fortunate enough to be educated on three continents and naturally you absorb the different cultures and ideas along the way. Things come together in my subconscious and this shapes my design style. In Europe, I was inspired by the tradition of luxury brands, in the United States I came in contact with modern trends and contemporary, while in Asia you have the ethos of simplicity and spirituality.”
“And Africa?” I ask.
“Africa is my main source of inspiration. Africa is the soul of the world, isn’t it? It is the cradle of mankind. If you go back in time to the roots of European tradition, you’ll find Africa; at the beginning of American modernity lies Africa; at the source of Asian spirituality is Africa – and this all comes together in my designs.”
This is it! We’re going paragliding today! I have been waiting for this moment for years… We are taking off from Lion’s Head beside Table Mountain, which is also where we meet Stef, who has prepared all the equipment. As there is a good wind we can use the lower take-off point, a gentle downward slope covered by a green net.
I was interviewed by Greg, Founder of the Luxury Marketing Council. We talked about the relevance of having a strong personal and corporate reputation. The two have become closely linked, so your personal reputation is not separate from your corporate reputation, both are visible and both must be managed properly.
Article written by Justin Kirby and published at Like Minds
As part of an exciting new project we’re undertaking – a book exploring the theme ‘Beyond Customer Centric’ – I’ve been interviewing a number of thought leaders.
I recently caught up with Anouk Pappers and Maarten Schäfer of CoolBrands, having met them at the Cristal Ad Festival in Courcheval last year. They are storytellers so it’s interesting to hear their own tale, which feeds into ideas about going beyond customer centric.
During the Cannes Lions Festival, I spoke a lot with women about empowerment, stepping up, expressing your vision. I founded CoolBrands Women because I believe in the power of communication to help us achieve our business goals.
I was invited by Senta Slingerland, brand strategy director of Cannes Lions to speak for the ‘See It Be It’ young creative women at the Cannes Lions Festival. We talked about the importance of online reputation and how that can help build your future goals.